Wednesday, September 5, 2012

Jailhouse Rock: musings

I wonder how many people, smitten in the blast of Elvis's vein-splitting rock, actually experienced the lyric as a ballad.  It seems that most receive the song as an "unspeakable mix", as one commentator put it  -  we need words to this music, but we only hear them in fragments and we really don't care, not in that white-hot intensity.

The lyric has a setting, characters and a punch-line  - it's intriguing, funny and absurd.  Its irony comes from the Blues tradition and the song is largely in the 12-bar form.

That a warder, who is usually a control freak, should throw a wild party in a prison cell block, is unlikely.  The gallery of characters is rich -  Spider Murphy, Little Joe, the drummer boy from Illinois, Number Forty-Seven, Number Three, Shifty Henry, Bugsy and the hip warder himself who cajoles the sad sack into grabbing a wooden chair if he can't find a dancing partner.  

The ultimate absurdity  -  rock music like this has a greater freedom, Bugsy seems to imply, than making a prison break!  

The song, perhaps more from its elemental force than the crafting of the lyric, embodies one of rock's greatest concerns, what one writer called "keeping a free head".  

1 comment:

  1. It is really so enjoyable to -at last- READ the words ...
    as for the music ... it is such a breath of our Youth ...
    ... and few people will take the time to analyze all this ..as deeply as you ...

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